Tag Archives: Integrated Design

6 Qualities That Make Architects Ideally Suited to Lead Collaborative Integrated Teams

leadersIn order to effectively lead collaborative teams, architects would do well to downplay possessing specialized knowledge. Knowledge acquired in school and practice should be thought of as the price of admission, not their “Advance to GO” card, as so many on the team in this connected age have access to and share this same knowledge. Along with specialized knowledge, as a professional duty of practice, architects will also need to reevaluate the role of professional judgment, design intent, responsible control, direct supervision, and serving as the hander-down of rulings in the shape-shifting required from working simultaneously on collaborative teams.

Recognizing that nothing incites a non-architect’s derision, ridicule and ire swifter than to start a sentence “The architect is uniquely qualified to…” here are six qualities that make architects ideally suited to lead collaborative, integrated teams:

1. Architects can lead collaborative teams by tapping into their ability to maintain two or more opposing thoughts until an amenable solution arises. Roger Martin’s The Opposable Mind, on the problem-solving power of integrative thinking, describes the human brain’s ability “to hold two conflicting ideas in constructive tension.” Like F. Scott Fitzgerald’s test of a first-rate intelligence as “the ability to hold two opposed ideas in the mind at the same time, and still retain the ability to function,” architects need to become even more comfortable working with and maintaining two or more opposing thoughts earlier in their careers. Architects famously can simultaneously maintain two lines of thought – e.g. their own and their client’s; their client’s and that of the public-at-large; the paying client and the non-paying client; the 99% and the 1%; the circumstantial and the ideal; science and art; reason and intuition; evidence and the ineffable; HSW and aesthetics; practical and dreamer. In an interview with the author, Phil Bernstein described the difference between young designers and older designers as the ability to manage an increasingly larger set of variables: “When I was working for Cesar Pelli, that was one of the amazing things about him – he could keep so many things in his head and he could balance them and weigh one against the other, and he could edit out what he called the systematic generation of useless alternatives. He would prevent us from going down that avenue.”

2. Architects are problem identifiers. Not only problem solvers, architects recognize that identifying the right problem to solve is often 80% of the solution. Frequently, the problem assigned is not the one that truly requires addressing. Architects work to make sure that everyone is focused on the most pressing, pertinent problem.

3. Architects see the big picture. Solution-oriented engineers sometimes have a difficult time seeing the forest from the trees. Malcolm Gladwell in Blink called this ability to see information in its wider context coup d’oeilcourt sense or “giss,” the power of the glance, the ability to immediately make sense of situations. Architects, by the end of their formal training, have begun to develop this ability, by thinking laterally and simultaneously – not linearly. Neither exclusively right- nor left- – architects are whole-brain thinkers. In the midst of prolonged analysis, architects can help to keep things whole.

4. Architects draw by hand, mouse and wand. Creatively ambidextrous, flexible and agile, architects are not stuck on any one means of communication or delivery. Architects make the best use of available technology to get the point across. Because architects envision what is not there, they help bring nascent ideas to life. Today, we cannot talk of leadership without the technology. We lead from the technology and the tools we use. In this way, architects lead collaboration from the middle by leading from the model.

5. Architects can lead collaborative teams by thinking like other team members, anticipating their concerns and questions before they arise. Architects see through other’s eyes, empathize and understand what is important to others. They have both deep skills and wide wingspan breadth. Architects are the only entity who serve not only the paying but non-paying client (society-at-large.) In trying to predict the consequences for any course of action, the architect needs to anticipate the responses of each of the integrated team members. To do this, an architect must know enough about each discipline to negotiate and synthesize competing demands.

6. Architects don’t lead collaborative teams because of their specialized skills, technology know-how, or privileged knowledge, but rather because of their comfort with ambiguity and uncertainty. Architects are best suited to lead collaborative teams by being able to extrapolate from incomplete information, and won’t let the lack of complete information stop them from moving forward.

The architect leading collaborative teams has implications for education in that independently trained professionals are inclined to remain independent in practice. According to NCARB’s contribution to the NAAB 2013 Accreditation Review Conference (ARC), over 80% of architects rated “collaboration with stakeholders” as important/critical, yet only 31.5% of interns and recently licensed architects indicated they had performed collaboratively prior to completion of their education program. This would need to change.

Let the Team be the Architect

The single most important issue confronting AEC leadership is, as Michael Schrage asked, how to pose problems and opportunities in forms that will elicit and inspire a collaborative response. Consultant Ed Friedrichs describes this as the ability “to inspire an entire team of participants to collaborate, to contribute the best they have to offer, in order to bring value to a client.”

Concerning collaborative teams, leaders need to ask of themselves – as well as prospective hires – are you the glue or the solvent? If architects are to be respected as leaders, their challenge is to communicate with their collaborators as equal partners in design.

In his book Architecture by Team, CRS’s William Caudill wrote: “The so called ‘great man’ approach must give way to the great team approach. From now on the great architects will be on great interdisciplinary teams.”

That was written in 1971. Buried on page 288 is the title of Chapter 109:

“Let the team – designers, manufacturers and builders – be the architect.”

So let the team be the architect, and the architect be the facilitative leader. And act soon, for we may not have another 40 years to see this out.

This post is an excerpt from Randy Deutsch’s article How We Can Make Collaboration Work: How architects can decentralize rather than be marginalized in the Jan-Feb 2014 Trends issue of DesignIntelligence journal.

Read and visit DesignIntelligence.

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Filed under collaboration, construction industry, design professionals, education, Integrated Design, Integrated Project Delivery, IPD, people, process

An Integrated Design Strategy for Every Man, Woman and Child

“The concept of integrated design is key to a sustainable future and ultimately quality of life,” 
Laura Lee

Just as Finith Jernigan’s Makers of the Environment envisioned the average American benefitting from building information modeling (BIM),

Professor Laura Lee’s vision for South Australia reads like an integrated design strategy for every man, woman and child throughout the world.

While her publication was prepared as a series of recommendations to the South Australia government, upon reading it, it soon becomes clear that she had more universal applications in mind.

With her report, “An Integrated Design Strategy for South Australia – Building the Future,” Lee envisions a framework for uniting sustainability, behavior, materials and the external environment into a whole that satisfies the needs of people, environment and place.

I’ve read the report from beginning to end a couple times now and am happy to share my, however haphazard, impressions.

The excellent introduction acknowledges the potential – and urgency – of the state of the world today: the perfect set-up for what’s to come.

It answers why anyone would want to read this report – and, as importantly, why now.

Instead of just writing about design, the booklet (as a product) itself is a perfect argument for the value of good design.

Little touches – such as the global quotes in blue and local quotes in orange – and larger ones: that it is so well written, edited, illustrated and like all great works of art, all-of-a-piece.

Like the integrated design process itself, the report contains myriad voices (a strategy and conclusion I also came to for my own book on Integrated Design.)

From now on, all Integrated Design books really ought to be crowdsourced.

In fact, Lee had 15 partners (represented by 24 people) in the residency, only 4 of whom were designers, which if it was a challenge, doesn’t show.

The report leaves you with the impression that it was created by a singular sensibility in that it has one, compelling voice throughout.

Stevie Summer’s diagrams are intelligent and truly mesmerizing: the perfect accompaniment for the text.

The natural imagery of many of these diagrams – conch shells, DNA – are intertwined & interrelated with the book’s theme and text. Stunning.

Professor Lee invested so much time in the diagrams because she is interested in raising visual literacy.

Interestingly, it soon becomes apparent that the process in conceiving the report served as a model for those she worked with along the way for the integrated design process itself. What an effective way for those she worked with to ‘get’ integrated design.

One of the most appealing attributes of the report is that the overall tone and word choice is strangely non-academic. This is a report anyone could love.

Lee, for example, quotes Dan Pink where she could have quoted Roger Martin. In fact, the report verges on being populist were it not for the fact that the whole thing is so smart.

Because this does not read like research, one can see how it will be implemented (and not – like so many reports – sit on the shelf.)

By the time the reader gets to the end, they’ll recognize that the very tenets of integrated design went into the making of this brilliant and beautiful document.

The tone throughout is optimistic, forward-looking: exactly what it needs to be. No need to threaten readers with impending apocalypse (it doesn’t.)

Most reports and books fizzle out near the end – having spent all their ammo in the first half (if not the first chapter.) Here, some of the best, freshest information and diagrams occur in the recommendations section of the report, near the end, what Professor Lee calls “the heart and the future of the work.”

Many, many more people need to read this report.

Professor Lee is in the process of making an Integrated Design Strategy guidebook with roadmaps for each recommendation along with best practices, weblinks, and case studies and a website with PDF downloads that hopefully will be available soon.

Read the final report of Professor Laura Lee, Adelaide Thinker in Residence in 2009.

Read about Martin Seligman and other thinkers in residence http://www.thinkers.sa.gov.au/ including Prof. Laura Lee http://www.thinkers.sa.gov.au/thinkers/lee/

Read more about Laura Lee, FAIA http://www.thinkers.sa.gov.au/thinkers/lee/who.aspx

Check out these videos featuring Laura Lee, and also this and this video

And look into the integrated design work of other thinkers and makers, including Renée Cheng, Daniel Friedman, Frances Bronet, Ann Dyson, Billie Faircloth, Kiel Moe and many more.

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Filed under craft, craftsmanship, education, Integrated Design, people, process, writing

BIM and Integrated Design: The Week in Tweets

Here are some of my Tweets that had the most impact from May 16-22 2011, all 140 characters or less.

BIM and IPD-related Tweets that my followers on Twitter have shared with their followers (retweeted or RT in Twitter parlance.)

Take a look. If you are not a Tweeter, by browsing the list of micro-posts you will get a good idea of how I use it.

And if you like what you see, follow me on Twitter @randydeutsch

“We’re stuck in a mode where we’re using old systems of understanding learning to try to understand new forms.” ~ Douglas Thomas

Relating to people: #Construction sector gains soft skills w mentoring. Program helps workers w communication http://bit.ly/kODaWT#AEC

#BIM lawsuit: You read the headline? Now, read the +70 comments http://bit.ly/jRqH85 (Then, if necessary, read the article.)

Presentation recorded at the NYC Revit Users Group May 2011 Meeting: New Features in Revit 2012 http://vimeo.com/24012603#BIM

Finally, some good news for the hard-hit design profession: Firms are hiring again! Architecture Employment on the Rise http://bit.ly/lZ4caM

100% of UK government projects to use #BIM within five years http://bit.ly/lfzAk7

“America seems very rich but I never see anyone actually making anything.” from Making Things in America, PAUL KRUGMAN http://nyti.ms/mrka7v

You’ve heard it before: learning is a change you’re introducing into a work culture. #Learning Strategy Buy-In http://bit.ly/jpFLm8

Sustainable Performance Institute promises to deliver on the promise of sustainability http://www.sustainable-performance.org/#green

Looking Beyond the Structure: Critical Thinking for #Designers & #Architectshttp://amzn.to/iAkbEE

Computational Design Thinking: influential thinking on the formation of today’s computational #design discourse http://bit.ly/mLKtNq

Excellent review of AIA 2011 Convention: Thomas Friedman’s Keynote & Energy-Related Technologies @AECbyteshttp://bit.ly/m0Wp5m#AIA2011

“Building Industry Future Belongs to Contractors Who Know BIM.” Really? Not architects? http://bit.ly/kOsWWc#AIA2011

Learn how to protect your organization contractually from risks & legal challenges that come with #BIMhttp://bit.ly/l6Dcgm#revit#AEC

Is the Legal Risk of Building Information Modeling Real or Imagined? http://bit.ly/l6Dcgm#BIM

Daunting mountain to climb? Break it into molehills. Change Management and the Power of Small Wins http://bit.ly/jlEofm

The problem wasn’t #BIM, but poor communication. “Design team never discussed installation sequence w the contractor” http://bit.ly/ijYpiW

Description of Integrated Project Delivery course at California Polytechnic State University http://bit.ly/k10moh#IPD

34 days 18 hours 31 minutes 28 seconds 27 seconds 26 seconds…left until Revit Tech Conf 2011! http://bit.ly/cJGu7L#RTCUSA2011

3 reasons to attend Revit Tech Conf: 1. in California 2. spend 3 days w other Revit users 3. LOTS to learn http://bit.ly/cJGu7L#RTCUSA2011

The biggest challenge architects face today is making themselves relevant to owners.

Call for Presentations: submissions for the AIA 2012 National Convention in Washington, DC are due July 1

By adopting a process that considers collaboration, designers move from makers of things to design strategists http://bit.ly/jAG7dG

Ryan Schultz is the mastermind behind collaboration platform @Opening_Design. Check out his profile http://www.linkedin.com/in/ryanschultz

OpeningDesign.com is a community platform where #AEC professionals can collaborate with fellow building professionals. http://bit.ly/iXbciV

My book already ranked by Amazon Bestsellers Rank #669,047 in Books – and it doesn’t even come out until September http://amzn.to/kCKUuP

Click here to read the AUGIWorld May 2011 issue >>> http://bit.ly/fpjryJ#BIM#IPD#Lean#AEC

GREAT post by Case’s uber-BIM fanboy @davidfano Practice 2.0: “BIM is an opportunity, not a problem” @ArchDailyhttp://ow.ly/4WKKO

Owners didn’t ask for #BIM or for #IPD. They asked for less waste & adversity, more predictability & value. http://bit.ly/c4AHUq

Due to complications & risks associated with #IPD‘s multiparty contracts some are pushing integrated delivery (ID) http://bit.ly/iPPUSM

How to Reap the Benefits of #IPD w/o Pitfalls of a Multiparty Contract? http://bit.ly/kl4PWS & presentation http://bit.ly/k0ng2o

Launch event of the world’s first Masters program in BIM and Integrated Design on 7th June http://bit.ly/lBTnA9 & http://bit.ly/mfbl7G

Every Public Private Partnership project is by definition an Integrated Project Delivery project. Without #IPD#PPP would not exist.

Alternative Project Delivery Methods for Public Works Projects on difficulties of implementing #IPD in public sector http://bit.ly/mFnV4Q

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Filed under BIM, BIM organizations, collaboration, construction industry, education, Integrated Design, Integrated Project Delivery, IPD, process

First Fire, then the Wheel, and now BIM

Owners didn’t ask for BIM.

Nor for IPD.

Never did.

Not then and not now.

Its part of the disconnect we’re experiencing in the profession and industry.

BIM may be purpose-built,

But nothing’s purpose-driven until it’s owner-driven.

And right now, other than healthcare and government mandates, very little is being driven by anybody.

So while owners didn’t ask for BIM or for IPD,

What they did ask for was less waste and adversity, more predictability and value.

We said we can give you that.

And we did.

Or so we thought.

Because we didn’t give them less and more of what they asked for.

We gave them BIM and IPD.

To us – they’re the same.

One leads to the other.

But to them – there’s a difference.

And that difference takes the form of a gap.

A gap we’ve yet to fill.

We as a profession and industry may be making great strides in adopting, implementing and using the technology and collaborative work processes necessary to make BIM and integrated design a reality.

But we’re doing little when it comes to explaining what BIM and IPD can do – what they’re capable of – to the client.

Go on.

Take them out of the box for the owner.

Give them a demonstration of how they work.

Put in the batteries and turn them on.

BIM first.

Then, once you got that going, show them how BIM enables IPD.

In giving owners BIM and IPD, we gave them exactly what they wanted and needed.

We gave them fire.

And we gave them the wheel.

Only they don’t know that yet.

Because we haven’t told them.

And until owners know what BIM and IPD mean to their goals and to their businesses, they won’t value them.

After taking BIM and IPD for a spin, they’ll be back into the bin with the other toys.

Folks,

This wheel’s on fire
Rolling down the road
Best notify my next of kin
This wheel shall explode!

Bob Dylan, who wrote these lyrics, an evocation of chaos, turns 70 this week.

If BIM and integrated design hope to see their 70th birthday

We need to do a better job of describing, explaining and justifying just what they mean.

What they do.

And who they do it for.

Design professionals and constructors are visual types.

If words were our strong suit, we’d be on the owner side ourselves.

But what is obvious to us may not be clear to them.

We need to become better storytellers – for that’s really how one learns best.

And not by berating with bullets and numbers.

The LinkedIn group, BIM for Owners, and James Salmon’s Collaborative BIM Advocates are a start.

We need to convince our owners to not only join, but join the discussion and participate.

We need them to understand how they, and their project, can benefit.

And while data and hard numbers help, in the end it’s not a rational choice.

But one of trust, gut and intuition.

Above all, we need to enchant and woo and wow our clients,

So that they in turn proactively request BIM and IPD on every job.

Until owners no longer have to ask for them.

Because BIM and integrated design will be – a foregone conclusion – part of the atmosphere.

As ever-present, prevalent – and necessary – on design and construction projects as windows and doors.

Then, and only then, we’ll have something to celebrate.

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Filed under collaboration, construction industry, design professionals, Integrated Design, Integrated Project Delivery, IPD, process, Uncategorized

Building Knowledge in Architecture

Using books as floatation devices is nothing new.

Cradle to Cradle, subtitled Remaking the Way We Make Things, is printed on waterproof paper for this reason.

Poetry anthologies served this purpose after 9/11 as did commonplace books carried by soldiers.

In fact, the book I’m about to introduce you to defines the original use of the word “communication” to mean bringing something to the “common place, to the community, to make it part of the larger social group.”

That is what I hope to accomplish with this review.

Building Knowledge in Architecture is a new book and lifesaver by architect, educator, researcher, scholar and poet, Richard Foqué.

On the academic side, Foqué is a professor and dean emeritus at the Henry van de Velde Higher Institute of Architecture at the University College Antwerp.

On the practice side, Foqué is the founder and honorary principal of FDA Architects (now OSAR), one of the largest architectural firms in Flanders.

Richard Foqué’s work is characterized by the integration of architecture, art, design and science and reflected in the book “Bringing the World into Culture”, dedicated to Foqué and in which 21 eminent scholars, architects and designers bring a tribute to his work. An interdisciplinary thinker, Foqué lives and works in Antwerp, Belgium.

But don’t read Building Knowledge in Architecture because of his credentials.

Read this book because Richard Foqué is the first poet to write beautifully and meaningfully about the architect, design, creativity,

And as importantly, digital design tools such as BIM and collaborative work processes such as integrated design, design-build, lean construction and design thinking, subjects at the focus of these discussions.

You had me at Introduction

A book, like any of us, competes in a marketplace for attention.

Building Knowledge in Architecture, until today, appears to have been satisfied waiting patiently to be discovered on library shelves.

Book, wait no more.

To stand out and distinguish yourself, says consultant and author Sally Hogshead, you get only 9 seconds.

Because that’s how long our attention spans today have been shortened to.

Reader, here I’ll introduce you to what will surely become a fine traveling companion and fellow conversationalist in the weeks ahead.

But I’ll need 9 minutes to do so – not 9 seconds. So please bear with me.

Man Measuring the Clouds

A passing glance at a sculpture, Man Measuring the Clouds, inspired Foqué to reflect on architecture and what it means to be an architect today.

“The architect works in the field of tension between imagination and reality. The architect’s task is to convert the dreams and often unreachable wishes of the client into a buildable concept, which should be functional, technically resolved, and in compliance with all building and safety codes, but at the same time must inspire a sense of well-being and have the necessary aesthetic qualities to contribute to and enrich its context.”

Foqué then asks:

“Is the architect the person who is measuring the clouds all the time? Is architectural design, per se, an impossible task to perform? In other words, what is the essence of being an architect? What are the skills, competencies, and knowledge an architect needs to perform as a true professional?”

Aware of the access to practical knowledge readily available to other fields such as medicine, business and law, things can be otherwise for the architectural profession, the author sets out in search of a robust knowledge base architects can access:

“In my own practice, I have endeavored to use my professional experience and accumulated know-how in an innovative way for every new commission. But I have always been left with a feeling of discontent: Could I have done better? Did I use all the creative potential and knowledge at my disposal, and did I not overlook essential elements?”

Foqué concludes that the architectural profession no longer has a shared knowledge base. Building Knowledge in Architecture asks all of the important questions:

“Why did we abandon or sacrifice (this) knowledge base? Why is the architectural profession drifting? Why are we sometimes reinventing the obvious? Why do we struggle to cope with contemporary technological evolution, and why is it so difficult to integrate in a satisfactory way new findings and insights into our design solutions? Why are we losing ground, and why are essential responsibilities of our professional practice being assumed by others?”

One page into the book, you realize you have underlined every line. It is one of those books.

The Creation of New Knowledge through Practice

The book is organized in two parts.

In Part 1, Building Knowledge in Architecture serves as a practical overview of contemporary architectural design methods, and proposes design – apart from science and art – as a third way to investigate the real world.

“Perceiving themselves as practitioners of a ‘creative’ profession, architects hover between science and art.” p. 25

This is one of the very few books that discuss new digital design tools such as building information modeling (BIM) from academic, theoretical and practical standpoints (discussed for the first time on p. 93.)

But also integrated project delivery (IPD) or at least a facsimile of the same.

In the section called The Exteriorization of the Design Process, Foqué indicates that recent evolution of communication information technology processes forces designers

“…to interact increasingly with his environment. He has no escape, so to speak, but must engage in a permanent dialogue with his surrounding world.” p. 82

Foqué points out that the concept of transdisciplinarity – and the way specialized knowledge can be integrated – harkens back to the work of developmental child psychologist, Jean Piaget, in the 1970’s.

Where, according to the author, specialized knowledge needs to be incorporated into a comprehensive body of integrated knowledge, “within a global system of values and well-considered choices.”

Per Piaget, those who have taken part on integrated design teams will recognize the suggestion that multidisciplinary collaboration is, at root, child’s play.

Key quotes:

“Learning should be revalorized in the sense that the creators of knowledge should also be held accountable for the application of that knowledge.” P. 24

“It is recognized that at the modern university, there exists a hierarchy of knowledge, which starts with the basic and fundamental science at the top, applied science in the middle, and technical skills at the bottom.” P. 26

Explaining why digital design tools, while used extensively, are infrequently taught at the university.

“…grounded in the field of tension between ‘technical’ performance and ‘artistic’ creation. It is exactly in that field of tension that every professional discipline grounds its own knowledge base.” P. 26

Foqué defines a critical component of the architect’s arsenal, intuition, as “a not-yet-conceptualized and not-yet-systematized form of knowledge.” P. 27

Beautiful.

Before I go on to quote every line in the book, I want to point out an additional pleasure in reading a book written with a poet’s sensibility.

In describing the synergistic integration of art, science and technology, Foqué uses the seemingly simple example of learning to ride a bike.

“If you describe every part of a bike in extreme detail and add these descriptions together, you will by no means have produced an appropriate description of a bike.”

He concludes this explanation:

“In other words, it is not by knowing the why that you master the how. You need to add the artistic dimension, the art of bike-riding.”

As only a poet – who is also an architect, educator, scholar – could have written.

Foqué explains the now familiar story of how architects abandoned responsibility, and in doing so, relinquished authority, over the past 40 years.

He asks: How can we reverse this decline?

Part 2 of the book presents his case, so to speak.

Reinventing the Obvious

In Part 2, Building Knowledge in Architecture makes the case for case studies in architecture.

The case goes something like this:

Because case studies are used as teaching tools at law, medicine, and in MBA programs, architectural training should also include more reading and creating of case studies.

Here’s the problem with this argument:

It doesn’t need to be made.

In the introduction, the author asks: Why are we sometimes reinventing the obvious?

And then proceeds to fall into this same trap.

Architecture curriculums already make use of case studies. I know, for example, when I taught an integrated design/technology studio, we made great use of them.

They are not only, as the author argues, a practical tool for documenting complicated building projects, finding solutions to technical problems and expanding a firm’s expertise.

They are also excellent opportunities for having architecture students work in teams and learn how to collaborate on a project team while still in school.

The complexity of building projects almost guarantees that the teams will be multidisciplinary.

An example is Aaron Greven’s course in the College of Architecture at Illinois Institute of Technology (IIT) in the Integrated Building Delivery program, a class that focuses on integrated practices and the technology that facilitates collaboration across a broad range of building project participants, for the Masters in Integrated Building Delivery program, a post-professional program that is in its pilot phase.

While the example does not prove the rule, I have previously reviewed these case study presentations here.

And more recently, they have been reviewed here.

The book does an excellent job explaining case study research as a means to establish a knowledge base and, as importantly, develops a practical method to do so.

“Architecture is no longer considered a true discipline, based on a comprehensive knowledge base, as it was for more than 2000 years. It is clear that this situation is no longer tenable, if architecture wants to survive in the Information Age, and in a quickly changing globalized world. A key question regarding the discipline of architecture today is how we can build a store of knowledge again.” P.174

But for me, proving the case for use of case studies in architectural education is not the reason to read this book.

This point has been made before here and more importantly, here.

Perhaps it is not case studies that are needed but a knowledge management and information system that can readily access the design professional’s accumulated knowledge.

There are people out there who do just this.

But this book does provide the rationale as well as a unique approach to constructing case studies, grounded in the arguments and methodology presented in the first part of the book.

And more importantly, this book explains how we can build knowledge in our profession and industry through the use of case studies.

Eminently Tweetable

The strengths of the book overwhelm its few weaknesses.

Weaknesses first. For all of the wonderful discussion about design and creativity throughout the first part of the book, there is nary a general mention of or reference to either in the index. It is almost as though the index was created for academics who might scrutinize sources for perfunctorily academic reasons but alas, not for the general reader’s ease of use.

Likewise, many of the otherwise wonderfully rich sources cited, are from the 1970’s or earlier. The book would have benefitted the reader (but no doubt not fellow academics) by referencing more contemporary examples of the same ideas or even the cited author’s more recent work.

On the strength side, the book’s diagrams are truly spectacular and help to illustrate many of the book’s finer concepts.

Another remarkable and no doubt unintended strength of the book is it is eminently tweetable.

A book of well-composed sentences, Building Knowledge in Architecture is remarkably aphoristic, and there are literally hundreds of quotable 140 character lines that are just crying out to be tweeted on Twitter:

“Intuitive thinking and rational thinking are not opponents; they are the twin poles between which the artist structures reality.” http://amzn.to/lyhDEl

Foqué explains that in earlier craft societies, severe penalties were imposed on those members who reveal knowledge in public. P. 93

Today, we are rewarded for the same by being retweeted.

See below for how critical Twitter is to this discussion.

Read or drown

Read Building Knowledge in Architecture even if you don’t learn anything new by reading this book (you will.)

Because you will come to realize that by doing so, you will know what you know for the first time.

And that is some accomplishment. For any book.

It is absolutely critical that you read this book. Why?

Here are 3 reasons:

For all of the reasons I have stated above.

For the reason that it tells us where we have been, where we are today and where we are headed.

And for this reason:

When drowning and you are thrown a life preserver you don’t say, “no thanks, I’ve seen one of these before,” and toss your line to safety aside.

Do so and you’ll surely drown.

A strength of this author, as mentioned, is that he has one foot in academia and the other in practice, a perspective evident in nearly every sentence:

“Professional disciplines…reduce the gap between real world problems and academic research, research increasingly captured by its own agenda.” P. 25

A book such as this can go a long way starting to fill the gap between education and practice.

That the author is a published poet can be seen in the book’s nearly perfect prose – so clear that you will not need to go back and read any sentence twice.

But you will do so anyway.

Because the sentences are so well-written they’ll strike a chord in you.

And you will find yourself rereading them for the sheer wonder and pleasure.

So don’t read Building Knowledge in Architecture because it develops a general design theory, a theoretical framework and practical instrumentation to establish a knowledge base for the discipline of architecture.

Read it if you want to improve your understanding of the impact and motives on decision making so that your designs are more responsive to real needs.

Read Building Knowledge in Architecture because you are an architect, an educator or student.

Read it because books like this are why we still have books.

Read Building Knowledge in Architecture because we as a profession are adrift and this book has been thrown to us as a lifeline.

Read it because at a time when the publishing and construction industry are experiencing upheavals, it is heartening to discover a book that is as well-written and well-illustrated as it is well-constructed and physically beautiful.

The book feels good in the hand, like a book by Peter Zumthor.

When you hold it in your hand for the first time it will be as though you have done so before, as though the book is being returned to you after a long absence.

To you alone.

That is because this book has been written for you.

The book, Building Knowledge in Architecture, was recommended to me by Ryan Schultz, founder of http://www.openingdesign.com/ via Twitter

@randydeutsch Hi Randy, speaking of books… ran across this one today in the library… looks right up our alley: http://amzn.to/hX0YG2

@theoryshaw P. 78 of Building Knowledge in Architecture (Design as a rational Process: The Triangle Broken) could be your mission statement. Thanks!

Ryan, with fellow IPD maven Oscia Timschell, is launching a beta version of the new site in time for the AIA National Convention. Check it out and follow Ryan on Twitter @theoryshaw

FYI This blog was posted for readers at my other blog by a different name.

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BIM and Integrated Design’s Greatest Hits Vol. I

FOR IMMEDIATE RELEASE                                            Contact Satellite Press Office: +44 (8) 20 6701 521

BIM and Integrated Design Blog Celebrates One Year

CHICAGO/WASHINGTON/LONDON/NAIROBI/DELHI – 11th July 2010 – Thousands of visitors, new and old, join the BIM and Integrated Design blog as it celebrates one fabulous year.

“If you have visited this site before – thank you for doing so,” says blogger Randy Deutsch AIA, LEED AP. “I hope you have found your time here to be of value – and hope you’ll come back.”

“As always, I welcome unconstructive feedback.”

Dropping the pretense of the self-congratulatory press release, opting instead for the more user-friendly italics while maintaining the guise of third-person narrative, Deutsch adds:

If you are new to the site – you are in for a treat.

Here are some highlights from the past year. Think of it as BIM and Integrated Design’s Greatest Hits Vol. I

The way that these top 5 posts were selected is similar to Ask.com’s AnswerFarm™ technology – their proprietary method of crawling and extracting the most popular results from hundreds of thousands of sources including user generated content, FAQ pages, news/blog articles, and structured/semi-structured data. From these results, this would be the clear winner.

Because the technology is proprietary – I overrode the process, scrapped the results and selected my own top 5 favorites. Let me know if you have a favorite post of your own.

Whatever the process, I hope you enjoy BIM and Integrated Design’s Greatest Hits Vol. I

5th Place: Can You Teach an Old Dog New Tips and Tricks? here

4th Place: T-Shaped BIM here

3rd Place: The Surprising Civility of Primal IPD here

2nd Place: Switch or Stitch? A formula for saving the architecture profession, construction industry and maybe even the world here

and

1st Place: My So-Called Parametric Life here

If you think you may have arrived here inadvertently or by mistake – do not move. Call a friend and have them pick you up. While you wait for their arrival, you may want to look here or here or for a real oldie, here for fun.

Here’s to another great year together! Thanks again for visiting and for your invaluable contributions to this site’s success.

PS Readers often ask me if I ever repurpose material from this blog. No, I tell them, I do not. For proof, look here, here, here, here, here, here or here and here.

Oh, and here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here, here and here.

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Fixing our Gaze on BIM and Integrated Design

I want the unobtainable. Other artists paint a bridge, a house, a boat, and that’s the end. I want to paint the air which surrounds the bridge, the house, the boat, the beauty of the air in which these objects are located, and that is nothing short of impossible.

–          Claude Monet

I’ve come across a book that I’d like to share with you. A science book that has some pertinent lessons for those working in BIM – or seriously considering doing so.

In Fixing My Gaze: A Scientist’s Journey into Seeing in Three Dimensions, by Susan R. Barry with a foreword by Oliver Sacks, Barry describes how miraculous it is after 50 years to suddenly be able to see in 3D for the first time.

The memoir is a fascinating account of Sue Barry’s acquisition of stereo-vision at an adult age.

In the book she reveals step-by-step how this new 3D world was revealed to her. And shows how her experiences are not, in the end, unique.

Barry, a neuroscientist, was born with her eyes crossed and literally couldn’t see in all three dimensions. The author, a professor of Neuroscience, remained unable to see in 3D for most of her life.

She was missing depth perception, that visual ability to judge what is closer and farther away.

Everything appeared flat to her.

Snow, for example, would appear to fall in a flat sheet in one plane in front of her.

Barry tells the story of how she was able to learn from others how to successfully correct her vision as an adult.

And how she recovered depth perception when she was 50 after visual therapy with a developmental optometrist.

In her late 40’s Barry was referred to an Optometrist not far from the University where she taught and did research. The Optometrist evaluated her and determined that with a prescribed program of vision therapy, Barry might gain binocular vision. After some hard work, Sue Barry was able to see in 3D.

The book asks and answers: If deliberate effort can rewire sensory processing at 50, what other astounding feats might our brain manage with the right training?

11 Lessons from Fixing My Gaze

“…the brain is a marvelously plastic organ that can continue to change its wiring and thereby its function throughout our adult life.”

–          Eric Kandel, Winner of the Nobel Prize in Physiology/Medicine

Read Fixing My Gaze if interested in learning how the brain can adapt and change at any stage of life due to the plasticity of the brain through training.

The story of “Stereo Sue” regaining her depth perception at age 50 and astonishing the medical community was first told in a 2006 article by Oliver Sacks in the New Yorker.

Hear Sue’s story on NPR Morning Edition

Or read on for 11 LESSONS that can be extracted from the inspiring book.

Lesson 1: While working in 2D made us all bystanders, working in BIM puts you in the middle of things.

In the book, a visit to Manhattan surprises Barry with skyscrapers that no longer appear as a flat backdrop.

Before acquiring 3D vision, Barry’s 2D existence felt as though she was looking into a snowfall.

From the outside. On the outside, looking in.

Whereas once she trained herself to think in 3D, she felt herself to be within the snowfall, among the flakes. She found herself surrounded by and immersed in life.

Working in BIM once again makes us participants in the design and construction process.

Lesson 2: The Eye in BIM

While the “I” stands for information, could it also stand for “eye?”

Appreciate the many ways that BIM allows us to see things that we were formally unable – or unwilling – to see.

Lesson 3: The Vision Thing

Hindsight, Insight, Foresight.

It’s not for nothing that our projects are located on a site.

The book teaches us that Sue, like many others, who want to experience their worlds in 3D find ways to work around their uncoordinated vision.

The brain does amazing things to compensate for visual deficiencies and retraining shows what’s possible.

Just like those of us working in BIM, by coming up with makeshift, piecemeal workarounds.

Where there’s a will, there’s a way.

 Those who have a ‘why’ can bear with almost any ‘how.’

–          after Viktor Frankl

Lesson 4: Just a Tool

To say BIM is just a tool is like saying the eye is just a tool.

It’s the profane, rational thing to say.

And it’s wrong.

When you take in their complexity and all that they can accomplish – it is easy to see that both the eye and BIM are more than tools.

We ought to treat them that way.

Barry says that those with 2D vision and those with 3D vision speak different languages.

BIM and sight are processes – not singular things. The more dimensions we afford them, the easier this is to see.

Lesson 5: Fixing our Gaze

As with the three-letter acronym BIM, the three-letter word “fix” has many definitions.

Fix can mean – in need of repair, as in fixing it

To restore by replacing a part or putting together what is torn or broken.

The implication is that we’re broken in some way and we need repair.

To be fixed.

There’s a great deal in our profession and industry that requires fixing.

Your role working in BIM is to fix what doesn’t work. Don’t limit yourself to just one dimension or definition of what it means to work in BIM.

There’s the common use of fix to prepare or cook, as well as to situate: put something, somewhere firmly.

To fasten, to firmly attach, as to a cause.

Hitch your wagon to a star.

–          Emerson.

But to fix can mean to fix our gaze.

To set it, stop it, position it.

On what is important.

Lesson 6: The future is closer than you think

Like the Far Side Cartoon of the car side mirror filled with the huge bug eye with the caption that read: Objects in the mirror appear further than they actually are.

In transforming ourselves from 2D to 3D – from thinking in 3D to communicating in 3D – and with it the attendant realities, there’s no more faking it – in BIM there’s nowhere to hide.

Our models are warts-and-all stories.

Closer to reality than to fantasy, threatening to our associative sensibilities.

Lesson 7: Seeing in 3D takes courage

We don’t give ourselves enough credit.

If author Barry could acquire stereo-vision – the ability to see in 3D – so can you, no matter your role or career position.

Those of us brought up on 2D CAD are committing to fixing our gaze and acquiring stereo-vision.

Going from analog-vision of hand drawing and mono-vision of 2D to stereo-vision of working in 3D.

The book tells a story of perseverance in overcoming obstacles. Obstacles we all must overcome in moving from 2D documentation to 3D design and virtual construction.

Like the author, find and identify success stories of your own.

Lesson 8: We take seeing in 3D – and working in BIM – for granted

Barry had to learn to see in 3D, something that most of us take for granted.

We as design professionals and those working in the construction industry suffered from our own lack of depth perception.

In that we’re not looking at our tools deeply enough.

By viscerally identifying with her 2D life and appreciating her 3D discoveries, as readers we’re able to understand a little of the 3D world to which we’re currently blind.

As with Flatland, many of us still find ourselves seeing in only 2 dimensions, as though we were stuck in CAD.

Ask yourself: When did you first realize that you couldn’t see in 3D?

Architects see in 3D from near the beginning of their careers. What they don’t necessarily do is work in 3D.

All you have to do is think of people like Sue Barry to realize:

You have advantages others do not have and take these for granted.

The book covers the science behind our vision, particularly how it is that we see in three dimensions. Science that we take for granted.

If you have acquired the software.

If you have implemented BIM.

If you have mastered it.

Take a moment now to honor yourself.

You have accomplished something great and profound.

Something that will not only help you, your firm, the contractor and owner but also the profession and industry.

When you learn to work in BIM you are helping others achieve their goals.

Mastering BIM – as you help yourself – you are helping others.

Lesson 9: Depth Charge

From the time of the Renaissance, artists have made use of tricks and cues to create a sense of depth to endow their art work with a sense of life.As BIM endows a stalled profession with a sense of life.

Working in 3D ought to invigorate our senses and shake up our composure.

Professor Barry’s renaissance with her newfound abilities will motivate you to be a serious student again in all it is you still have to learn.

Working in architecture becomes exciting again.

Give yourself the gift of depth perception.

Lesson 10: Keep Things Whole
 
Once, seeing – and working – in 2D was all we knew.
The equivalent of working in little bim without taking the additional dimensional leap into BIG BIM.

Working in BIM completes us as design professionals.

BIM is the quality that gives the architect dimensionality.

Design plus construction. Tool plus process. BIM plus IPD.

Look for that hidden wholeness.

Lesson 11: Knowing vs. Doing

Perception is not something that happens to us, or in us. It is something that we do.

–          Alva Noe, Action in Perception

Today the 3D world of BIM is revealed to us in myriad ways.

In articles, webinars, classes, training sessions, in blogs, in books, in the office.

But knowing BIM is not enough.

Sue, a neuroscientist, knew practically everything there was to know about seeing in 3D or stereopsis, but her world and joy of seeing changed profoundly when she experienced 3D vision.

Knowledge of BIM is not enough – you have to experience it for yourself.  

 

 

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