Tag Archives: design professionals

BIM’s Blue Ocean


After I give one of my talks on building information modeling the question I’m most often asked is:

What’s the best BIM business model?

What is the best way to make a profit utilizing building information modeling on projects in their organization?

In other words, how can we leverage the technology to reap the greatest financial reward?

It goes without saying that they have invested a great deal of money in soft- and hardware – and time in getting comfortable with each – and now want to know what the return is on their investment.

Is it the Free business model?

The Long Tail business model?

Or something altogether different?

It’s actually a lot simpler than any of these.

It’s called “coupling.”

But we’re getting ahead of ourselves.

First, let’s take a quick look at two books that use the sea metaphor to help explain how businesses can best address our industry’s ongoing sea changes.

Then we’ll turn this metaphor on to design and construction professional’s situation to see how they can best benefit from the emerging technologies in their organizations.

C-Scape

A book every design and construction professional ought to read is

C-Scape: Conquer the Forces Changing Business Today, a book that shows how businesses can survive and thrive in the digital media revolution.

Don’t be turned-off by the book’s emphasis on media – especially digital and social media.

It’s the metaphor that’s applicable here.

The book’s storyline goes something like this:

Not so long ago, the business landscape was easier to chart.

That landscape has been upended, and in its place a “C-Scape” has emerged—a world where

  • Consumers, not producers and marketers, make the choices; where
  • Content, not distribution, is king; where
  • Curation becomes a primary currency of value; and where
  • Convergence continues to revolutionize every part of every business.

Taking a more in-depth look at each of these 4 Cs:

Consumers choose what, how, and when they consume information. This has given consumers more power than ever in the relationship with content creators and information sources. Those who don’t respect this new relationship will perish.

Content becomes king. With the Internet able to directly bring the buyer to the seller, the need to have a better product, not just one that is distributed better, will become paramount. Those who had distribution advantages will struggle so long as they are averse to focusing on competing with direct distribution.

Curation cures information overload. Businesses will need to monitor and curate conversations about their brands in order to prevent major blunders.

Convergence revolutionizes every form of communication. New forms of storytelling will emerge as all forms of communication converge on a single platform for the first time. Companies need to learn these new ways of telling stories about their products and brands.

You’ve probably experienced some of these forces yourself, on your teams and in your organizations.

There are some obvious overlaps with the construction industry.

But that’s not where we’re going with this.

While these concepts are astute, they represent the digital media’s C-landscape.

Not our own (unless you consider the idea that every organization is now in the media business.)

Design and Construction’s Seven Seas

Design and construction has its own seascape or C-Scape.

But its seven C’s don’t stand for consumers, content, curation and convergence.

Our seven C’s stand for:

  • Communication
  • Collaboration
  • Cooperation
  • Community
  • Complexity
  • Co-location
  • Co-creation

C-words, make note, all beginning with “co” – for “together.”

While Construction is another one (Coupling is as well) these 7 C’s represent our seascape or blue ocean.

Why?

Because in our profession and industry collaboration and the other six concepts are virtually uncharted waters.

Blue Ocean Strategy

Blue Ocean Strategy: How to Create Uncontested Market Space and Make Competition Irrelevant,

You might recall is a book where the blue ocean metaphor represents a vision of the kind of expanding, competitor-free markets that innovative companies can navigate.

Unlike “red oceans,” which are well-explored and crowded with competitors, “blue oceans” stand for “untapped market space” and growth.

A few of the book’s basic concepts – implying where we are today and where we are headed – can be summarized as follows:

  • Compete in existing market space >>> Create uncontested market space
  • Beat the competition >>> Make the competition irrelevant
  • Exploit existing demand >>> Create and capture new demand
  • Make the value/cost trade-off >>> Break the value/cost trade-off
  • Align the whole system of a company’s activities with its choice of differentiation or low cost >>> Align the whole system

BIM isn’t our blue ocean.

Collaboration is.

Why?

Because BIM has become – or is fast becoming – ubiquitous.

And collaboration is still largely uncharted territory.

For BIM to live up to its promise, we must make it our goal to use emerging technology to address analysis such as building performance and energy use.

As Phil Bernstein FAIA predicts, “as these platforms get more robust and analytical algorithms get more sophisticated the whole analysis problem moves from things we understand right now – things like airflow and the modulus of elasticity – to building codes and air quality.”

To accomplish this we’ll have to share what we know with one another.

There’s no other way for our industry – and for us – to move forward.

In order for us to achieve our goals and in order for BIM to realize its promise, we will have to first accept, then relearn, how to communicate and share information.

The best way for design and construction professionals to accomplish this is by working together.

By leveraging each other’s experience and expertise.

By keeping an open line of communication and exercising it constantly.

By looking to one another for insights and solutions.

If we are to survive and overcome the forces that are remaking the design and construction landscape, we will do whatever is in our power to learn to work compatibly and effectively.

Together.

Coupling Design and Construction

Design professionals, especially, like to go it alone.

They find the idea of sharing design input, and more so, responsibility threatening.

“Let me take it back to the office and study it” is their onsite mantra.

Concerning our desire to peel away and sequester ourselves, I love this quote from the new head of the IMF, Christine Lagarde.

Four small words that were barely noticed when she said them at the Jackson Hole Symposium:

“Decoupling is a myth.”

Making the case for the key issue for the world economy:

Everything is coupled to everything else.

As futurist and iconoclast Stowe Boyd notes, “the steps taken to date have not decomplexified the economic tarball. No real steps have been taken to make the world economic system less connected, and that is the only path to a safer world.”

Like the rest of the world and economy, we are all in this together.

Connected.

There’s no extracting any one entity from the collective.

For design and construction professionals, it’s all “co” from here on out.

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Filed under analysis, BIM, BIM organizations, business model, collaboration, construction industry, design professionals, modeling

Fixing our Gaze on BIM and Integrated Design


I want the unobtainable. Other artists paint a bridge, a house, a boat, and that’s the end. I want to paint the air which surrounds the bridge, the house, the boat, the beauty of the air in which these objects are located, and that is nothing short of impossible.

–          Claude Monet

I’ve come across a book that I’d like to share with you. A science book that has some pertinent lessons for those working in BIM – or seriously considering doing so.

In Fixing My Gaze: A Scientist’s Journey into Seeing in Three Dimensions, by Susan R. Barry with a foreword by Oliver Sacks, Barry describes how miraculous it is after 50 years to suddenly be able to see in 3D for the first time.

The memoir is a fascinating account of Sue Barry’s acquisition of stereo-vision at an adult age.

In the book she reveals step-by-step how this new 3D world was revealed to her. And shows how her experiences are not, in the end, unique.

Barry, a neuroscientist, was born with her eyes crossed and literally couldn’t see in all three dimensions. The author, a professor of Neuroscience, remained unable to see in 3D for most of her life.

She was missing depth perception, that visual ability to judge what is closer and farther away.

Everything appeared flat to her.

Snow, for example, would appear to fall in a flat sheet in one plane in front of her.

Barry tells the story of how she was able to learn from others how to successfully correct her vision as an adult.

And how she recovered depth perception when she was 50 after visual therapy with a developmental optometrist.

In her late 40’s Barry was referred to an Optometrist not far from the University where she taught and did research. The Optometrist evaluated her and determined that with a prescribed program of vision therapy, Barry might gain binocular vision. After some hard work, Sue Barry was able to see in 3D.

The book asks and answers: If deliberate effort can rewire sensory processing at 50, what other astounding feats might our brain manage with the right training?

11 Lessons from Fixing My Gaze

“…the brain is a marvelously plastic organ that can continue to change its wiring and thereby its function throughout our adult life.”

–          Eric Kandel, Winner of the Nobel Prize in Physiology/Medicine

Read Fixing My Gaze if interested in learning how the brain can adapt and change at any stage of life due to the plasticity of the brain through training.

The story of “Stereo Sue” regaining her depth perception at age 50 and astonishing the medical community was first told in a 2006 article by Oliver Sacks in the New Yorker.

Hear Sue’s story on NPR Morning Edition.

Or read on for 11 LESSONS that can be extracted from the inspiring book.

Lesson 1: While working in 2D made us all bystanders, working in BIM puts you in the middle of things.

In the book, a visit to Manhattan surprises Barry with skyscrapers that no longer appear as a flat backdrop.

Before acquiring 3D vision, Barry’s 2D existence felt as though she was looking into a snowfall.

From the outside. On the outside, looking in.

Whereas once she trained herself to think in 3D, she felt herself to be within the snowfall, among the flakes. She found herself surrounded by and immersed in life.

Working in BIM once again makes us participants in the design and construction process.

Lesson 2: The Eye in BIM

While the “I” stands for information, could it also stand for “eye?”

Appreciate the many ways that BIM allows us to see things that we were formally unable – or unwilling – to see.

Lesson 3: The Vision Thing

Hindsight, Insight, Foresight.

It’s not for nothing that our projects are located on a site.

The book teaches us that Sue, like many others, who want to experience their worlds in 3D find ways to work around their uncoordinated vision.

The brain does amazing things to compensate for visual deficiencies and retraining shows what’s possible.

Just like those of us working in BIM, by coming up with makeshift, piecemeal workarounds.

Where there’s a will, there’s a way.

 Those who have a ‘why’ can bear with almost any ‘how.’

–          after Viktor Frankl

Lesson 4: Just a Tool

To say BIM is just a tool is like saying the eye is just a tool.

It’s the profane, rational thing to say.

And it’s wrong.

When you take in their complexity and all that they can accomplish – it is easy to see that both the eye and BIM are more than tools.

We ought to treat them that way.

Barry says that those with 2D vision and those with 3D vision speak different languages.

BIM and sight are processes – not singular things. The more dimensions we afford them, the easier this is to see.

Lesson 5: Fixing our Gaze

As with the three-letter acronym BIM, the three-letter word “fix” has many definitions.

Fix can mean – in need of repair, as in fixing it

To restore by replacing a part or putting together what is torn or broken.

The implication is that we’re broken in some way and we need repair.

To be fixed.

There’s a great deal in our profession and industry that requires fixing.

Your role working in BIM is to fix what doesn’t work. Don’t limit yourself to just one dimension or definition of what it means to work in BIM.

There’s the common use of fix to prepare or cook, as well as to situate: put something, somewhere firmly.

To fasten, to firmly attach, as to a cause.

Hitch your wagon to a star.

–          Emerson.

But to fix can mean to fix our gaze.

To set it, stop it, position it.

On what is important.

Lesson 6: The future is closer than you think

Like the Far Side Cartoon of the car side mirror filled with the huge bug eye with the caption that read: Objects in the mirror appear further than they actually are.

In transforming ourselves from 2D to 3D – from thinking in 3D to communicating in 3D – and with it the attendant realities, there’s no more faking it – in BIM there’s nowhere to hide.

Our models are warts-and-all stories.

Closer to reality than to fantasy, threatening to our associative sensibilities.

Lesson 7: Seeing in 3D takes courage

We don’t give ourselves enough credit.

If author Barry could acquire stereo-vision – the ability to see in 3D – so can you, no matter your role or career position.

Those of us brought up on 2D CAD are committing to fixing our gaze and acquiring stereo-vision.

Going from analog-vision of hand drawing and mono-vision of 2D to stereo-vision of working in 3D.

The book tells a story of perseverance in overcoming obstacles. Obstacles we all must overcome in moving from 2D documentation to 3D design and virtual construction.

Like the author, find and identify success stories of your own.

Lesson 8: We take seeing in 3D – and working in BIM – for granted

Barry had to learn to see in 3D, something that most of us take for granted.

We as design professionals and those working in the construction industry suffered from our own lack of depth perception.

In that we’re not looking at our tools deeply enough.

By viscerally identifying with her 2D life and appreciating her 3D discoveries, as readers we’re able to understand a little of the 3D world to which we’re currently blind.

As with Flatland, many of us still find ourselves seeing in only 2 dimensions, as though we were stuck in CAD.

Ask yourself: When did you first realize that you couldn’t see in 3D?

Architects see in 3D from near the beginning of their careers. What they don’t necessarily do is work in 3D.

All you have to do is think of people like Sue Barry to realize:

You have advantages others do not have and take these for granted.

The book covers the science behind our vision, particularly how it is that we see in three dimensions. Science that we take for granted.

If you have acquired the software.

If you have implemented BIM.

If you have mastered it.

Take a moment now to honor yourself.

You have accomplished something great and profound.

Something that will not only help you, your firm, the contractor and owner but also the profession and industry.

When you learn to work in BIM you are helping others achieve their goals.

Mastering BIM – as you help yourself – you are helping others.

Lesson 9: Depth Charge

From the time of the Renaissance, artists have made use of tricks and cues to create a sense of depth to endow their art work with a sense of life.As BIM endows a stalled profession with a sense of life.

Working in 3D ought to invigorate our senses and shake up our composure.

Professor Barry’s renaissance with her newfound abilities will motivate you to be a serious student again in all it is you still have to learn.

Working in architecture becomes exciting again.

Give yourself the gift of depth perception.

Lesson 10: Keep Things Whole
 
Once, seeing – and working – in 2D was all we knew.
The equivalent of working in little bim without taking the additional dimensional leap into BIG BIM.

Working in BIM completes us as design professionals.

BIM is the quality that gives the architect dimensionality.

Design plus construction. Tool plus process. BIM plus IPD.

Look for that hidden wholeness.

Lesson 11: Knowing vs. Doing

Perception is not something that happens to us, or in us. It is something that we do.

–          Alva Noe, Action in Perception

Today the 3D world of BIM is revealed to us in myriad ways.

In articles, webinars, classes, training sessions, in blogs, in books, in the office.

But knowing BIM is not enough.

Sue, a neuroscientist, knew practically everything there was to know about seeing in 3D or stereopsis, but her world and joy of seeing changed profoundly when she experienced 3D vision.

Knowledge of BIM is not enough – you have to experience it for yourself.

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Filed under BIM, BIM expert, BIM trainer, construction industry, defining BIM, design professionals, education, Integrated Project Delivery, IPD

An Early Holiday for 16 Fortunate Design Professionals

In need of some good news? Or better yet, a job? As reported today in the New York Times, the nation’s employers not only have stopped eliminating large numbers of jobs, but appear to be on the verge of rebuilding the American work force, devastated by the recession. Additionally, there’s increasing evidence that the jobless rate may have already reached its peak.

So what does this mean for architects?

The good news is that the job increase appears to be no less true for the architecture profession, in fact for all design professionals and others in the construction industry.

At long last, there are architecture jobs to fill – and a lot of them at that. And in most cases one doesn’t have to move to the other side of the earth to fill them.

In what can only be seen as a sign of optimism, in the past month there are more BIM-related job postings nationwide than at any time since the start of the recession. Due to the increase of firms adopting and implementing BIM work processes, it looks like there’s going to be an early holiday for at least some design professionals and others in the construction industry.

This news will inevitably serve as a win-win for those who took the time during the first years of the recession to invest in training, had opportunities to either train others in BIM and related applications and plug-ins, were fortunate enough to have worked on BIM projects, or otherwise have concentrated their efforts on helping to facilitate the adoption and implementation of the BIM process for firms just starting out in the new technology.

Anecdotally, if the recent uptick in the number of inquiries by the staffing and recruiting industry for this one architect is any indication…things are beginning to look up.

In an admittedly un-scientific sampling of various LinkedIn groups’ postings, the following BIM-related jobs are either currently available – or were available in the month of December 2009:

Looking for a REVIT MEP expert (chul_ulyana@yahoo.com)

Wanted – Revit and / or AutoCAD MEP 2010 Instructors

Posted by Rick Feineis

Perm Job Opening in NYC – In-House Revit Trainer/Architect

Posted by David McFadden

Revit Electrical Drafting position located in the Bay Area
Posted by Anthony Selden

Looking for BIM content creation experts

Posted by Marc Goldman

Architect (Revit Experience Essential)

Posted by Matthew Upton

Architectural CAD Director Revit and AutoCad
Posted by Rachael Pierri

BIM Specialist-Northeast Wisconsin

Posted by Tim Eichstaedt

Architectural CAD Support Specialist REVIT and AutoCAD
www.blackshire.com. 535.blackshire@hiredesk.net

BIM Director- SoCal

Posted by Mark Horridge

Senior Structural Revit Design Drafter

David Turnbull on + 61 2 93508301 or dturnbull@constructive.net.au
Postedby David Turnbull

Project Manager, NY Metro Area

973-298-6117.
Posted by Robert Bazewicz

3D Visualization Engineer

Posted by Christian Greuel 

Sr. Project Manager/Energy– Chicago $140K-$180K
Sr. Construction Manager Major Projects– Chicago $150K-!80K

Posted by Ron Schroeder

MEP Estimator for large General Contractor in Los Angeles area

[Note: This post has been edited due to time-sensitive material.]

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Filed under BIM, BIM Director, BIM drafting, BIM employment, BIM expert, BIM instructor, BIM jobs, BIM trainer, construction industry, Content Creation, design professionals, people